Difference between revisions of "Questions for Videocracy"
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| − | + | # How can we explain the phenomenon of the veline? What does Ricky think of it? | |
| − | + | # What do Berlusconi, Lele Mora, and Fabrizio have in common, in what ways do they differ from each other? What is the connection between them and Ricky? | |
| − | + | # What significance do the ideas of "a modern Robin Hood" (Corona); that "life can be marvelous like television" (Fabio); and that "it's enough to appear" (Lele Mora) have within the world depicted? | |
| − | + | # To what extent do these realities resonate within the US context? What concrete parallels can you draw and what would you say appears specifically Italian? Think of socio-cultural climate, individual characters and the physical ambiances. | |
| − | + | # What do you learn from the captions that conclude the film? | |
Revision as of 02:12, 2 March 2014
- How can we explain the phenomenon of the veline? What does Ricky think of it?
- What do Berlusconi, Lele Mora, and Fabrizio have in common, in what ways do they differ from each other? What is the connection between them and Ricky?
- What significance do the ideas of "a modern Robin Hood" (Corona); that "life can be marvelous like television" (Fabio); and that "it's enough to appear" (Lele Mora) have within the world depicted?
- To what extent do these realities resonate within the US context? What concrete parallels can you draw and what would you say appears specifically Italian? Think of socio-cultural climate, individual characters and the physical ambiances.
- What do you learn from the captions that conclude the film?
